Edouard Martinet transforms everyday objects found in flea-markets and car boot sales into works of art. Working with a variety of refuse materials such as rusted kitchen pans, typewriter keys, car lights and other scrap metals, Edouard Martinet sculpts several types of animals and insects. His sculptures are made without the use of solder.


25 abandoned Yugoslavia monuments that look like they’re from the future

“These structures were commissioned by former Yugoslavian president Josip Broz Tito in the 1960s and 70s to commemorate sites where WWII battles took place or where concentration camps stood. They were designed by different sculptors and architects, conveying powerful visual impact to show the confidence and strength of the Socialist Republic. In the 1980s, these monuments attracted millions of visitors per year, especially young pioneers for their ‘patriotic education.’ After the Republic dissolved in early 1990s, they were completely abandoned, and their symbolic meanings were forever lost. From 2006 to 2009, Kempenaers toured around the ex-Yugoslavia region with the help of a 1975 map of memorials, bringing before our eyes a series of melancholy yet striking images.”



This amazing modern art idea is dedicated to artist and designer Tobias Wong who passed away May 30, 2010, at the age of 35, after living 13,138 days. His friend Frederick McSwain built this commemorative portrait using exactly 13,138 dice to emphasize on life and its hazards. “The idea of a dice itself was appropriate—the randomness of life. It felt like [a medium] he would use. Because [Tobias] was a very street-level force, I thought it was appropriate [to install] the portrait on the floor. Its not something I wanted to suspend on the wall; I wanted it to be right there on the floor where you almost interact with it. The idea of every decision you make and everything you’ve done in your life, defines who you are. All of those days symbolically makes up the image of Tobi.”- Frederick stated. The dice were simply laid out on the floor without using any kind of adhesive.  – (via – FRESHOME)



Ah Xian

   “Ah Xian was born in Beijing in 1960. Initially trained as a painter, Ah Xian was a practising artist in China throughout the 1980s. Following the events in Tiananmen Square in 1989, he sought political asylum in Australia and moved to Sydney in 1990. Since the 1990s, Ah Xian has united traditional Chinese materials and techniques with a contemporary sculptural practice to address issues surrounding cultural displacement, identity politics and the relationship between East and West. His recent works continue to explore the material and symbolic possibilities of techniques such as lacquer-ware, bronze and cloisonné to represent the human form. In 1999 Ah Xian was included in the Third Asia-Pacific Triennial of Contemporary Art at the Queensland Art Gallery, Brisbane. Major solo exhibitions include China, China – Recent Porcelain Works of Ah Xian, Beijing Teachers University, Beijing, and Queensland Art Gallery, Brisbane, 2000; and Ah Xian Meets Jingdezhen, Museum of Frankfurt, Germany, 2002. Ah Xian lives in Sydney.”